"œCiencia y arte" Para el autor el hombre moderno, aun en medio de su "cientificidad", se descubre perdido en muchos laberintos y obsesionado con fetiches de ascendencia simbólica y ritual. Los í­dolos de Bacon siguen dominando el escenario; el homo homini lupus de Hobbes parece todaví­a un paisaje natural; la ley se sigue ofreciendo a los hombres corno señor de Ios señores. Las preguntas de la ciencia acompañan a las preguntas de la filosofí­a y a las expresiones del arte: son (...) las eternas preguntas de la condición humana. Si la filosofí­a y la ciencia intentan apagar la inquietud intelectual principal-mente, el arte y la religión lo harán en el campo del sentimiento, de la intuición y de la representación. "œScience and Art" The author declares that modern man, although involved in scientificity, is lost inside labyrinths and obsessed with symbolic fetishes. Bacons idols are in the scene; Hobbes is homo homini lupus still works like a natural landscape; law is still offered to men as master of masters. Scientific questions, philosophical questions and art expressions walk hand to hand, as they are the eternal questions of human condition. While Philosophy and Science try to extinguish the intelectual worries, Art and Religion will do the same in the fields of feelings, intuition and representation. (shrink)

Croce is a heir of the best posrenacentist traditions. Maquiavelo and Galileo are presents in the rigor of his thought and the intention to apprehend the concreteness and the verifiableness. But also they are Hegel, and before Vico, in its unfolded universalist glance on the historical process. ..

The concept of God is a key word in the history of philosophy. It encloses, in history, man’s innate desire to give meaning to his existence or to achieve an identity that is not only physical or biological. Science, rationality and faith get together to try to find a solution to the problem of ..

"œLa phronesis como forma mentis de eticidad"Este ensayo pretende restaurar el espacio en que el pensamiento griego situ� los conceptos de virtud y de prudencia, invocando una nueva interpretaci�n sobre el problema de la �tica y la subjetividad. El autor diserta sobre la virtud de la prudencia con el uso de una hermen�utica com�n a la tradici�n cultural del Occidente europeo y que integra lo mejor de la interpretaci�n hist�rica que Croce, Heidegger o Bultmann, por ejemplo, han legado al debate (...) filos�fico. Todo esto sin perder de vista que esas interpretaciones tambi�n son la expresi�n de una subjetividad humana con un contexto hist�rico preciso, siempre contingente y nunca perfectamente asible. "œPhronesis as a forma mentis of ethicity"This essay tries to restore the space in which Greek thought placed the concepts of virtue and prudence, calling on a new interpretation of the problem of Ethics and subjectivity. The author disserts about prudence as a virtue and the use, in the European culturan tradition, of Hermeneutics, which compose the best of historical interpretation that Croce, Heidegger or Bultmann, for example, have inherited to the philosophical discussion. This debate also considers that these interpretations are the expression of a human subjectivity with a definite historical context, always contingent and never perfectly seizable. (shrink)

NO es toda la obra, es solo el escaneo de algunos de los ensayos.